Sexual Story Essays - Free Essays, Term Papers, Research Papers

Sexual Story Essays - Free Essays, Term Papers, Research Papers Sexual Story I'd always thought of her as a fairly shy girl, so I was totally unprepared for what happened next. As soon as we sat down on the sofa in the living room, she leaned over and kissed me. Not a little peck, but a full-blown french kiss. It must have lasted for ages as she pushed me down onto my back, pressing her firm breasts against my chest. When she broke the kiss, she looked into my eyes and said I've liked you for so long, but I never had the nerve to do anything about it. I want you. Before I could say anything else, she kissed me again. This time, though, she slid one of her hands down into my jeans to find my penis, which by this time was fully erect and longing for some action. Encouraged by this finding, she undid my jeans and pushed them and my underwear as far down my legs as she could until finally she had to break the kiss. She wasted no time in moving down to my cock and licking its head. She took me in her mouth, but not very deeply. I grabbed her head and gently pushed down, but she resisted. She came up off my *censored* and said Uh ... this is my first time; I hope I'm not too bad at it, then surrounded my cock with her lips once again. She took me a little deeper each time, with a little more suction, a little more tongue action. I didn't tell her, but it was my first time, too, and I'd never felt anything like this before. I lay my head back against the chair arm, closed my eyes, and the feeling swept me away. No wonder guys always talk about getting head, I thought to myself. She was evidently a quick learner, for she soon had me about to cum. I moaned Ohh .... ooohhhh ... I'm ... I'm about to ... , but I didn't get a chance to finish the thought. As every muscle in my body tensed up, I looked at her head bobbing up and down and I shot my semen into a woman for the first time. I guess she didn't quite know what to expect, as she coughed a little before managing to swallow a couple of times. She gave my cock one last suck and lifted her head, smiling. I grabbed her by the shoulders and pulled her head up to meet mine. I kissed her, passionately jousting with her tongue. I was surprised at the taste of my semen; I'd always thought it would be gross, but it actually wasn't so bad. When we broke the kiss, she looked me in the eye and said Did I do OK? The only answer I could think of was another kiss, as my hands went down to her skirt. I fondled her ass a bit while I removed the skirt and her panties. I broke the kiss and told her Now it's your turn. We exchanged positions and I moved down to her *censored*, kissing her breasts through the sweater on the way and wondering if I'd be anywhere near as good for her as she was for me. I gave her outer lips a little kiss, prodding between them with my tongue. Heidi shuddered and spread her legs some more, so I figured I was starting out OK. I spread her lips with my hands and found her clit with my tongue. Her response was a little moan. As I licked her clit, she grabbed my rig ht hand and pushed it towards her breasts, under her sweater. She was wearing a front-closing bra; I wonder if she had anything in mind when she put it on today? It was quite a challenge undoing her bra without my tongue losing track of what it was doing, particularly with only one hand free to work on her bra, but I finally managed to get one of her magnificent breasts in my hand. I was running my fingers around her nipple, pinching it, pressing on it, squeezing her breasts; meanwhile, I was probing into her cunt with my tongue.

Definitions and Interpretations of Rhetorical Irony

Definitions and Interpretations of Rhetorical Irony To say one thing but to mean something else - that may be the simplest definition of irony. But in truth, theres nothing at all simple about the rhetorical concept of irony. As J.A. Cuddon says in A Dictionary of Literary Terms and Literary Theory (Basil Blackwell, 1979), irony eludes definition, and this elusiveness is one of the main reasons why it is a source of so much fascinated inquiry and speculation. To encourage further inquiry (rather than reduce this complex trope to simplistic explanations), weve gathered a variety of definitions and interpretations of irony, both ancient and modern. Here youll find some recurrent themes as well as some points of disagreement. Does any one of these writers provide the single right answer to our question? No. But all provide food for thought. We begin on this page with some broad observations about the nature of irony - a few standard definitions along with attempts to classify the different types of irony. On page two, we offer a brief survey of the ways that the concept of irony has evolved over the past 2,500 years. Finally, on pages three and four, a number of contemporary writers discuss what irony means (or seems to mean) in our own time. Definitions and Types of Irony The Three Basic Features of IronyThe principal obstacle in the way of a simple definition of irony is the fact that irony is not a simple phenomenon. . . . We have now presented, as basic features for all irony,(i) a contrast of appearance and reality,(ii) a confident unawareness (pretended in the ironist, real in the victim of the irony) that the appearance is only an appearance, and(iii) the comic effect of this unawareness of a contrasting appearance and reality.(Douglas Colin Muecke, Irony, Methuen Publishing, 1970)Five Kinds of IronyThree kinds of irony have been recognized since antiquity: (1) Socratic irony. a mask of innocence and ignorance adopted to win an argument. . . . (2) Dramatic or tragic irony, a double vision of what is happening in a play or real-life situation. . . . (3) Linguistic irony, a duality of meaning, now the classic form of irony. Building on the idea of dramatic irony, the Romans concluded that language often carries a double message, a second often moc king or sardonic meaning running contrary to the first. . . .In modern times, two further conceptions have been added: (1) Structural irony, a quality that is built into texts, in which the observations of a naive narrator point up deeper implications of a situation. . . . (2) Romantic irony, in which writers conspire with readers to share the double vision of what is happening in the plot of a novel, film, etc.(Tom McArthur, The Oxford Companion to the English Language, Oxford University Press, 1992) Applying IronyIronys general characteristic is to make something understood by expressing its opposite. We can therefore isolate three separate ways of applying this rhetorical form. Irony can refer to (1) individual figures of speech (ironia verbi); (2) particular ways of interpreting life (ironia vitae); and (3) existence in its entirety (ironia entis). The three dimensions of ironytrope, figure, and universal paradigmcan be understood as rhetorical, existential, and ontological.(Peter L. Oesterreich, Irony, in Encyclopedia of Rhetoric, edited by Thomas O. Sloane, Oxford University Press, 2001)Metaphors for IronyIrony is an insult conveyed in the form of a compliment, insinuating the most galling satire under the phraseology of panegyric; placing its victim naked on a bed of briars and thistles, thinly covered with rose leaves; adorning his brow with a crown of gold, which burns into his brain; teasing, and fretting, and riddling him through and through with incessant discharges of hot shot from a masked battery; laying bare the most sensitive and shrinking nerves of his mind, and then blandly touching them with ice, or smilingly pricking them with needles.(James Hogg, Wit and Humour, in Hoggs Instructor, 1850) Irony SarcasmIrony must not be confused with sarcasm, which is direct: Sarcasm means precisely what it says, but in a sharp, bitter, cutting, caustic, or acerb manner; it is the instrument of indignation, a weapon of offense, whereas irony is one of the vehicles of wit.(Eric Partridge and Janet Whitcut, Usage and Abusage: A Guide to Good English, W.W. Norton Company, 1997)Irony, Sarcasm, WitGeorge Puttenhams Arte of English Poesie shows appreciation for subtle rhetorical irony by translating ironia as Drie Mock. I tried to find out what irony really is, and discovered that some ancient writer on poetry had spoken of ironia, which we call the drye mock, and I cannot think of a better term for it: the drye mock. Not sarcasm, which is like vinegar, or cynicism, which is often the voice of disappointed idealism, but a delicate casting of a cool and illuminating light on life, and thus an enlargement. The ironist is not bitter, he does not seek to undercut everything that seems worthy or serious, he scorns the cheap scoring-off of the wisecracker. He stands, so to speak, somewhat at one side, observes and speaks with a moderation which is occasionally embellished with a flash of controlled exaggeration. He speaks from a certain depth, and thus he is not of the same nature as the wit, who so often speaks from the tongue and no deeper. The wits desire is to be funny, the ironist is only funny as a secondary achievement.(Roberston Davies, The Cunning Man, Viking, 1995) Cosmic IronyThere are two broad uses in everyday parlance. The first relates to cosmic irony and has little to do with the play of language or figural speech. . . . This is an irony of situation, or an irony of existence; it is as though human life and its understanding of the world is undercut by some other meaning or design beyond our powers. . . . The word irony refers to the limits of human meaning; we do not see the effects of what we do, the outcomes of our actions, or the forces that exceed our choices. Such irony is cosmic irony, or the irony of fate.(Claire Colebrook, Irony: The New Critical Idiom, Routledge, 2004) A Survey of Irony Socrates, That Old FoxThe most influential model in the history of irony has been the Platonic Socrates. Neither Socrates nor his contemporaries, however, would have associated the word  eironeia  with modern conceptions of Socratic irony. As Cicero put it, Socrates was always pretending to need information and professing admiration for the wisdom of his companion; when Socrates interlocutors were annoyed with him for behaving in this way they called him  eiron, a vulgar term of reproach referring generally to any kind of sly deception with overtones of mockery. The fox was the symbol of the  eiron.All serious discussions of  eironeia  followed upon the association of the word with Socrates.(Norman D. Knox, Irony,  The Dictionary of the History of Ideas, 2003)The Western SensibilitySome go so far as to say that Socrates ironic personality inaugurated a peculiarly Western sensibility. His irony, or his capacity  not  to accept everyday values and concepts but live in a state of  perpetual  question, is the birth of philosophy, ethics, and consciousness.(Claire Colebrook,  Irony: The New Critical Idiom, Routledge, 2004) Skeptics and AcademicsIt is not without cause that so many excellent philosophers became Skeptics and Academics, and denied any certainty of knowledge or comprehension, and held opinions that the knowledge of man extended only to appearances and probabilities. It is true that in Socrates it was supposed to be but a form of irony,  Scientiam  dissimulando  simulavit, for he used to dissemble his knowledge, to the end to enhance his knowledge.(Francis Bacon,  The Advancement of Learning, 1605)From Socrates to CiceroSocratic irony, as it is constructed in Platos dialogues,  is therefore  a method of mocking and unmasking the presumed knowledge of his interlocutors, consequently leading them to  truth  (Socratic  maieutics). Cicero establishes irony as a rhetoric figure which blames by praise and praises by blame. Apart from this, there is the sense of tragic (or dramatic) irony, which focuses on the contrast between the protagonists ignorance and the spectators, who ar e aware of his fatal destiny (as for example in  Oedipus Rex).(Irony, in  Imagology: The Cultural Construction and Literary Representation of National Characters, edited by Manfred Beller and Joep Leerssen, Rodopi, 2007) Quintilian OnwardsSome of the rhetoricians recognize, though almost as if in passing, that irony was much more than an ordinary rhetorical figure. Quintilian says [in  Institutio Oratoria, translated by H.E. Butler] that in the  figurative  form of irony the speaker disguises his entire meaning, the disguise being apparent rather than confessed. . . .But having touched on this borderline where irony ceases to be instrumental and is sought as an end in itself, Quintilian draws back, quite properly for his purposes, to his functional view, and in effect carries nearly two millennia worth of rhetoricians along with him. It was not until well into the eighteenth century that theorists were forced, by explosive developments in the use of irony itself, to begin thinking about ironic effects as somehow self-sufficient literary ends. And then of course irony burst its bounds so effectively that men finally dismissed merely functional ironies as not even ironic, or as self-evidently les s artistic.(Wayne C. Booth,  A Rhetoric of Irony, University of Chicago Press, 1974) Cosmic Irony RevisitedIn  The Concept of Irony  (1841), Kierkegaard elaborated the idea that irony is a mode of seeing things, a way of viewing existence. Later, Amiel in his  Journal Intime  (1883-87) expressed the view that irony springs from a perception of the absurdity of life. . . .Many writers have distanced themselves to a vantage point, a quasi-godlike eminence, the better to be able to view things. The artist becomes a kind of god viewing creation (and viewing his own creation) with a smile. From this it is a short step to the idea that God himself is the supreme  ironist, watching the antics of human beings (Flaubert referred to a blague supà ©rieure) with a detached, ironical smile. The spectator in the  theatre  is in a similar position. Thus the everlasting human condition is regarded as potentially absurd.(J.A. Cuddon, Irony,  A Dictionary of Literary Terms and Literary Theory, Basil Blackwell, 1979)Irony in Our TimeI am saying that there seems to be o ne dominating form of modern understanding; that it is essentially ironic; and that it originates largely in the application of mind and memory to the events of the Great War [World War I].(Paul Fussell,  The Great War and Modern Memory, Oxford University Press, 1975) Supreme IronyWith supreme irony, the war to make the world safe for democracy [World War I] ended by leaving democracy more unsafe in the world than at any time since the collapse of the revolutions of 1848.(James Harvey Robinson,  The Human Comedy, 1937) Contemporary Observations on Irony The New IronyThe one truth the new irony has to tell us is that the man who uses it has no place to stand except in momentary community with those who seek to express a comparable alienation from other groups. The one conviction it expresses is that there are really no sides left: No virtue to oppose to corruption, no wisdom to oppose to  cant. The one standard it accepts is that on which the simple manthe untutored non-ironist who fancies (in his dolt-hood) that he knows what good and bad should meanis registered as the zero of our world, a cipher worth nothing but uninterrupted contempt.(Benjamin DeMott, The New Irony:  Sidesnicks  and Others,  The American Scholar, 31, 1961-1962)Swift, Simpson, Seinfeld . . . and Quotation Marks[T]echnically,  irony  is a rhetorical device used to convey a meaning sharply different from or even opposite of the  literal  text. It’s not just saying one thing while meaning anotherthat’s what Bill Clinton does. No, itâ₠¬â„¢s more like a wink or running joke among people in the know.Jonathan Swift’s  A Modest Proposal  is a classic text in the history of irony. Swift argued that English lords should eat the children of the poor to alleviate hunger. There is nothing in the text which says, hey, this is sarcasm. Swift lays out a pretty good argument and it’s up to the reader to figure it out that he’s not really serious. When Homer Simpson says to Marge, Now who’s being naà ¯ve? the writers are winking at all those people who love  The Godfather  (these people are commonly referred to as men). When George Costanza and Jerry Seinfeld keep saying Not that there’s anything wrong with that! every time they mention homosexuality, they are making an ironic joke about the culture’s insistence that we affirm our non-judgmentalism.Anyway,  irony  is one of those words that most people understand intuitively but have a hard time defining. One good test is if you like to put quotation marks around words that shouldn’t have them. The quotation marks are necessary because the words have lost most of their literal meaning to the  new  politicized interpretations.(Jonah Goldberg, The Irony of Irony.  National Review Online, April 28, 1999) Irony and EthosSpecifically rhetorical irony presents few problems. Puttenhams drie  mock pretty well describes the phenomenon. One kind of rhetorical irony, however, may need further attention. There can be relatively few rhetorical situations where the target of persuasion is utterly ignorant of the designs someone has on himthe relationship of  persuader  and persuaded is almost always self-conscious to some degree. If the persuader wants to overcome any implicit sales resistance (especially from a sophisticated audience), one of the ways he will do it is to acknowledge that he  is  trying to talk his audience into something. By this, he hopes to gain their trust for as long as the soft sell takes. When he does this, he really acknowledges that his rhetorical maneuvering is ironical, that it says one thing while it tries to do another. At the same time, a second irony is present, since the pitchman is still far from laying all his cards on the table. The point to be made is that every rhetorical posture except the most naive involves an ironical coloration, of some kind or another, of the speakers  ethos.(Richard Lanham,  A Handlist of Rhetorical Terms, 2nd edition, University of California Press, 1991) The End of the Age of Irony?One good thing could come from this horror: it could spell the end of the age of irony. For some 30 yearsroughly as long as the Twin Towers were uprightthe good folks in charge of Americas intellectual life have insisted that nothing was to be believed in or taken seriously. Nothing was real. With a giggle and a smirk, our chattering classesour columnists and pop culture makersdeclared that detachment and personal whimsy were the necessary tools for an oh-so-cool life. Who but a slobbering bumpkin would think, I feel your pain? The ironists, seeing through everything, made it difficult for anyone to see anything. The consequence of thinking that nothing is realapart from prancing around in an air of vain stupidityis that one will not know the difference between a joke and a menace.No more. The planes that plowed into the World Trade Center and the Pentagon were real. The flames, smoke, sirensreal. The chalky landscape, the silence of the streetsall real. I feel your painreally.(Roger Rosenblatt,  The Age Of Irony Comes to an End,  Time  magazine, September 16, 2001) Eight Misconceptions About IronyWe have a grave problem with this word (well, in fact, its not really gravebut Im not being ironic when I call it that, Im being  hyperbolic. Though often the two amount to the same thing. But not always). Just looking at the definitions, the confusion is understandablein the first instance, rhetorical irony expands to cover any disjunction at all between language and meaning, with a couple of key exceptions (allegory  also entails a disconnection between sign and meaning, but obviously isnt synonymous with irony; and lying, clearly, leaves that gap, but relies for its efficacy on an ignorant audience, where irony relies on a knowing one). Still, even with the riders, its quite an umbrella, no?In the second instance,  situational irony  (also known as cosmic irony) occurs when it seems that God or fate is manipulating events so as to inspire false hopes, which are inevitably dashed (1). While this looks like the more straightforward usage, it o pens the door to confusion between irony, bad  luck  and inconvenience.Most pressingly, though, there are a number of misconceptions about  irony  that are peculiar to recent times. The first is that September 11 spelled the end of irony. The second is that the end of irony would be the one good thing to come out of September 11. The third is that irony characterizes our age to a greater degree than it has done any other. The fourth is that Americans cant do irony, and we [the British] can. The fifth is that the Germans cant do irony, either (and we still can). The sixth is that irony and cynicism are interchangeable. The seventh is that its a mistake to attempt irony in emails and text messages, even while irony characterizes our age, and so do emails. And the eighth is that post-ironic is an acceptable termit is very modish to use this, as if to suggest one of three things: i) that irony has ended; ii) that postmodernism and irony are interchangeable, and can be conflated into one handy word; or iii) that we are more ironic than we used to be, and therefore need to add a prefix suggesting even greater ironic distance than irony on its own can supply. None of these things is true.1. Jack Lynch, Literary Terms. I would strongly urge you not to read any more footnotes, they are only here to make sure I dont get in trouble for plagiarizing.(Zoe Williams,  The Final Irony,  The Guardian, June 28, 2003) Postmodern IronyPostmodern  irony is allusive, multilayered, preemptive, cynical, and above all, nihilistic. It assumes that everything is subjective and nothing means what it says. Its a sneering, world-weary,  bad  irony, a mentality that condemns before it can be condemned, preferring cleverness to sincerity and quotation to originality. Postmodern irony rejects  tradition,  but offers nothing in its place.(Jon Winokur,  The Big Book of Irony, St. Martins Press, 2007)Were All in This Togetherby OurselvesImportantly, the Romantic of today finds a real connection, a sense of groundedness, with others  through  irony. with those who understand what is meant without having to say it, with those who also question the saccharine quality of contemporary American culture, who are certain that all diatribes of virtue-lament will turn out to have been made by some gambling, lying, hypocritical talk-show host/senator overly fond of interns/pages. This they see as doing an inj ustice to the depth of human possibility and the complexity and goodness of human feeling, to the power of the imagination over all forms of potential constraint, to a basic ethics that they themselves are proud to uphold. But ironists, above all else, are certain that we must live in this world as best we can, whether or not it suits our own moral outlook, writes Charles Taylor [The Ethics of Authenticity, Harvard University Press, 1991]. The only alternative seems to be a kind of inner exile. Ironic detachment is exactly this sort of inner exilean  inner emigrationmaintained with humor, chic bitterness, and a sometimes embarrassing but abidingly persistent hope.(R. Jay Magill Jr.,  Chic Ironic Bitterness, The University of Michigan Press, 2007) Whats Ironic?Woman: I started riding these trains in the forties. Those days a man would give up their seat for a woman. Now were liberated and we have to stand.Elaine: Its ironic.Woman: Whats ironic?Elaine: This, that weve come all this way, we have made all this progress, but you know, weve lost the little things, the niceties.Woman: No, I mean what does ironic mean?(Seinfeld)

How to control and manage hospital acquired infection in a mental Essay

How to control and manage hospital acquired infection in a mental health setting - Essay Example Those who recuperate from surgical wounds and have indwelling equipments such as catheters and intubation tubes, also have a higher chance of developing nosocomial infections if not handled properly. Nosocomial infections are hard to treat, because the frequent use of different antimicrobials in the mental facility over time has resulted to development of resistance. The mentally ill patients present with symptoms such as low blood pressure, chills, fever, and even mental confusion depending on the etiology (Shaw, 2011: 56). Nurses working in a mental health facility face many challenges when treating patients. In some cases, because of the poor mental state or poor cognitive ability of the patient, the nurses usually get a hard time when treating them. Some patients are uncooperative and violent and pose a huge challenge to the nurses attending them. If such patients have wounds then treating such wounds becomes a huge problem and the likelihood of occurrence of nosocomial infections is high. If such patients have fall related fractures or chronic diseases, then the combination of such with the mental state of the patient, contributes significantly to a lowered immunity of the patient and the nosocomial infections get a chance to thrive. This presents the nurses with a huge responsibility because they have to deal with three factors which are treating the first disease, handling the mental state of the patient, and treating the nosocomial infection (Beckwith, 2011: 80). Another challenge facing nurses in such a facility is resistance of drugs and the lowered immunity of the patients. The immune-compromised patients do not recover quickly, because the already low immunity finds it hard to fight infections. The continual use of drugs to control such infections makes the immunity more weakened, and development of drug resistance by the causative pathogens complicates the whole situation. Microorganisms become more troublesome